Tea House

Daily Perspectives and Stories on Buddhist Trends, People, and Ideas

Tag: insight

Life, Death… All a Matter of Perspective

We like to tell ourselves that we intellectually (even if we struggle to emotionally) grasp the significance of death as the end of our present existence. But time, life, and death are nowhere near as commonsense as we think. In an article in The Independent, professor Robert Lanza lays out the concept of biocentrism: ‘the universe only exists because of an individual’s consciousness of it – essentially life and biology are central to reality, which in turn creates the universe; the universe itself does not create life. The same applies to the concepts of space and time, which Professor Lanza describes as “simply tools of the mind.”’

We don’t experience reality “as it is.” We simply don’t have that kind of access, unless we are bodhisattvas or Buddhas. For us, “life,” “death,” and everything in between is filtered through our senses and perceptions. Similarly, as Zen Master Thich Nhat Hanh has said (and which we highlight in today’s Wisdom for Today quote on the main website), birth and death are quite literally a matter of perspectives, much like the concept of above and below when we’re sitting on this blue and green rock in a quiet corner of a galaxy among billions of galaxies in a vast, unfathomable universe.

The most ancient and primeval human story is the struggle to understand the great mystery and what lies beyond, that which is too big to be contained merely by our conceptions of what reality is. Only the Buddha can help us peer past the veil that our minds have created to obscure our insight.

#Buddhistdoor Global—Your Doorway to the World of #Buddhism
#Wisdom for Today: https://www.buddhistdoor.net/wisdom-for-today

Bodh Gaya

A poem about the life of the Blessed One. By Tom Donovan

Bodhi Tree by Maranda Russell

It is a place and nothing more,
No different to behold despite particulars
Than any village in the district.
Still it is here,
In the public park,
Under the pipal tree,
On my mat of kusa grass,
I have apprehended the sorrow
Of myself and of all people,
And have understood the Unforgiving Law,
Seen the bleached and desolate fullness of it,
The devouring hungry emptiness of Craving.

And it is here that Mara has come to me,
In his fever to tempt my mind from its new way,
And I wonder that this bloated demon
Has not seen these wide eyes,
Which bid men open up their view,
To see between the dead habits of the Brahmin,
And the living folly of the poor Samana,
Between their expansion and reduction,
Between the cruel formal and the cruel nil,
Straight to Chanda,
The line through vain desire,
Through the irrelevant beginnings and ends of things,
The acceptance of the ambiguous and the unanswerable.

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Show me the Truth

This poem on insight and illusion was translated from Portuguese to English by Daniela Boeira.

Show me the truth
Honey is sweet by nature
Offer me the most precious treasure
The lamp that dissipates the darkness
Within my hesitant mind
Small and slow steps
Your enlightened compassion does not waver
While cutting sharply through illusions
I see my attachments
My lies
Naked under your gaze
It hurts but relieves
I discern my delicate anatomy
While anesthetized
I find myself helpless to resist
Stunned I sleep
Soundly I awake
My gratitude
I express honour to Your teachings
Namo Guru
May the realization of emptiness
Break the hollow conception of the ego

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Mother of the Dharma Body

Padma Drolma

This poem on the feminine infinite is offered in its Portuguese original and its English translation.  

Dharmakaya Mother
Space of the beginningless end
Ineffable and ever present
Your touch is my very skin
Free us from the imprisoning mind
From the coarse eyes that only perceive lies
I hear with delight the melody of life and death
Without moving from you
Teach me the presence of emptiness* in the whirlwind of appearances

Mãe Dharmakaya
Espaço do fim sem começo
Inefável e sempre presente
Seu toque é minha própria pele
Nos liberte da mente que aprisiona
Dos olhos grosseiros que só percebem mentiras
Ouço com delícia a melodia da vida e da morte
Sem me mover de ti
Ensina me a presença da vacuidade no turbilhão das aparências

Postcard from Raymond: What is Dharma?


Dharma is the cosmic law of reality. It is simultaneously the Buddha’s teaching, meaning two very important things. First, it means that the Buddhist teachings and reality itself are one and the same; they correspond to each other. The Dharma is the fount of all things which lies beyond the universe and the wheel of becoming.

Secondly, since Dharma is beginningless and endless, the Buddha did not invent this teaching out of thin air. He discovered it as Siddhartha Gautama, and by attaining Buddhahood, Siddhartha became a perfect embodiment of the Dharma. Every Buddha represents the Dharma, and point to “the way things really are” in their own unique way. To gain insight is to know Dharma, and become one with it as a bodhisattva and then finally a Buddha. Namo Amitabha!

Weaving Stories of Dharma and Joy

Raymond Lam

From visitmeadow.com

From visitmeadow.com

Stories have been a beloved pastime of mine since I learned to read. In my childhood I devoured fiction of all kinds: from fantasy novels based on pop culture franchises to my favourite genre of world myths and legends retold in modern prose. Odin, Hathor, and Trickster Raven were my companions as much as my high school friends and classmates. As I became more involved in the great religions of the world I discovered that Buddhists, Christians, and practitioners of all faiths regularly explore the depths of meaning in their traditions’ stories. I’ve always thought of life itself as a tale in progress, and that a life well lived was, in essence, a story that could be told with a sense of poignancy and meaning. How beautiful, even if sometimes impossible, is the simple wish for a happy ending?

The human impulse to produce and consume stories is universal, even if we know those stories are fictitious and can be deconstructed, taken apart, dismissed. In my interview with Sri Lankan poet Ramya Jirasinghe, she made the emphatic point that “artistic creation and working through the Eightfold Path can’t be linked as they have contradictory goals and processes,” since artists and writers need to work from their self and experience and the Buddhist must see through the illusion of the self. No self, no story, just a process that is misinterpreted as a story.

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