Very young men or boys joining the sangha without adequate preparation is resulting in real problems
romance
Monsters, Music, and Compassion: “Vampire in the Garden”
Vampires or undead as “sentient beings” deserving of compassion and love raise high-stake philosophical and religious questions
Monasticism: Celibacy and Companionship are not only compatible, but crucial
In the face of scandals involving sexual misconduct, it is not celibacy that needs reform, but rather monastic contact and communication with the opposite gender
The Disbanding of an Assumption
doubting you would, under the Ford Street Bridge at dawn, you kissed me, as a trumpet vine grabs onto every available surface, on arbors, fences, telephone poles, and trees, you wrapped your tendrils into my yellow throat and made the world feel closer than it ever has before.Unmediated by the veil of what we think we know, I kissed you back, and together we became unfamiliar, like finding new oceans. George Cassidy Payne is a poet from Rochester, NY. His work has been included […]
A Brief Note on Love and Human Feelings
Buddhists are imperfect. We form attachments. We feel suffering. We try hard to balance spiritual prerogatives with worldly success. We feel loneliness. We want the company of others. Unless you have the luxury of a monastic life, you’re dealing with these realities constantly. And I’m writing this as a reminder: It’s OK. Managing samsara is […]
The Noble Reporter: Lessons about Right Speech and Media from “Roman Holiday”
Roman Holiday is one of my favourite movies, not only because it’s a moving comedic romance (one of the few romantic comedies I enjoy) but because it touches upon a timeless issue in journalism: what stories are worth reporting? It gets more complex than simply bad or boring stories versus good and entertaining ones. It’s […]
What was Possible, and What is no Longer: A Buddhist Dimension in La Dolce Vita
It’s a classic moment in film, one of quite a few from Federico Fellini’s black and white cinematic masterpiece. The charismatic but emotionally lost gossip columnist Marcello Rubini, played by Marcello Mastroianni, is at the beach, holding his hands up in bemused resignation as he struggles and fails to discern the shouts of a young […]