Hong Kong-born artist Night Fung plays with white and striking water colors with distinct edges and shapes to craft a misty dreamscape of Zen-themed abstract contemplation
Raymond Lam
Teacher, Nurturer, Leader: The journey of Dagmo-la
HE Dagmo Dunkyi Kalden represents timeless Dharma values imbued with a keen sense of making a difference and public service in her own unique way
Meditations from the 2nd Karmapa with Charles Manson
Charles Manson is a cataloguer of the Tibetan collections of manuscripts at the Bodleian Library and a scholar of Karma Pakshi, the 2nd Karmapa
Ven. Guan Cheng inspires and enlivens with lecture on consciousness at HKU
Ven. Guan Cheng unpacks the Yogacara school’s rich and powerful philosophy of mind and consciousness with relatability, humor, and applicable case studies
Creating our own conditions for happiness: Buddhist and Finnish convergences on “Sisu” and resilience
The Finnish spirit of “sisu” has many lessons to teach about resilience and setting our own standards for happiness
Tung Lin Kok Yuen initiates 90th Anniversary with “Great Compassion” assembly
The Hong Kong-based charity celebrated its 90th year of public service and helping all beings since 1935
Pure Land Practice as Pastoral Care: An interview with Dr. Ernest Ng
Conversations with speakers at the “Religious Chanting, Art Therapy, Buddhist Counselling, and Brain Entrainment” conference at The University of Hong Kong, October 2024
Virtual Buddhist Counselling in Modern Times: An interview with Dr. Kin Cheung (George) Lee
Conversations with speakers at the “Religious Chanting, Art Therapy, Buddhist Counselling, and Brain Entrainment” conference at The University of Hong Kong, October 2024
Bringing Buddhist-themed productions to Spanish society: The Buddhist Film Festival of Catalonia
The biennial Buddhist Film Festival of Catalonia is bringing Buddhist-themed movies and Dharma values to a Spanish and Catalonian audience
Mélodie Doumy’s “A Silk Road Oasis” at the British Library
Mélodie Doumy’s book is not only an accompaniment to a great exhibit, but also a fine distillation of Dunhuang’s story ambitiously told by the British Library