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Tea House

Tea House: Interviews, Commentary, Reviews, Poetry & Prose
  • Papillon

Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope

Posted on October 18, 2026October 18, 2026by Teahouse

Mount Kailash’s “closing” on 20 October has concluded, but our dakini guides will always be looking to take us back

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  • Other Writers

Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri

Posted on October 16, 2026October 16, 2026by Teahouse

Wangmo Dixey talks about turning an extraordinary archaeological heritage into a living tantric heritage at Odisha’s Diamond Triangle

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  • Keiga

Chantal Fok: Bringing the Sacred Art of Thangkas to Hong Kong

Posted on October 15, 2026October 14, 2026by Teahouse

A Hong Kong-born artist navigates contemporary worlds of art and those of the Himalayas, bringing thangka art to an Asian metropolis

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  • Raymond Lam

“Auspicious Light on the Snowland: Art Exhibition by Zhao Zhijing” in Thimphu for the First Time

Posted on October 14, 2026October 14, 2026by Teahouse

Acclaimed Chinese master artist Zhao Zhijing is hosting his first solo exhibit in Bhutan from 26–29 October

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  • Raymond Lam

Qiuci: Retelling the Tale of Kumarajiva through Theatrical Dance

Posted on October 12, 2026October 12, 2026by Teahouse

“Qiuci” is an energetic dance retelling of Kumarajiva’s life by the Xinjiang Art Theatre Song and Dance Company

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  • Sensei Alex Kakuyo

Painting Benches

Posted on October 11, 2026October 11, 2026by Teahouse

Sensei Alex Kakuyo brings an poetic touch to your Dharma practice with vivid and evocative haikus written to inspire

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  • Raymond Lam

Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism in Australia,” Part Three

Posted on October 8, 2026October 9, 2026by Teahouse

Director Małgorzata Ola Dobrowolska’s movie tells the story of the first Vajrayana center in Australia in the 1960s and 70s

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  • Dro Forum

Introducing Zhentong

Posted on October 7, 2026October 8, 2026by Teahouse

A series of Q&A on the teachings of the Jonang school, providing answers to key questions about the Jonang and the Dro lineage

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  • Raymond Lam

Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism in Australia,” Part Two

Posted on October 6, 2026October 9, 2026by Teahouse

Director Małgorzata Ola Dobrowolska’s movie tells the story of the first Vajrayana center in Australia in the 1960s and 70s

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  • Rebecca Wong

Modern Bondage, Tantric Remedies? The Myth of Instant Romantic Alchemy

Posted on October 4, 2026October 4, 2026by Teahouse

How the kleshas deceive us into confusing infatuation with lasting care and love, and how we can use pujas and mind training to let go

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  • Writers
    • Raymond Lam
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Recent Posts

  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
  • Chantal Fok: Bringing the Sacred Art of Thangkas to Hong Kong
  • “Auspicious Light on the Snowland: Art Exhibition by Zhao Zhijing” in Thimphu for the First Time
  • Qiuci: Retelling the Tale of Kumarajiva through Theatrical Dance
  • Writers
    • Raymond Lam
    • Rebecca Wong
    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
  • Subscribe
  • About and Contact

Recent Posts

  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
  • Chantal Fok: Bringing the Sacred Art of Thangkas to Hong Kong
  • “Auspicious Light on the Snowland: Art Exhibition by Zhao Zhijing” in Thimphu for the First Time
  • Qiuci: Retelling the Tale of Kumarajiva through Theatrical Dance
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