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Tea House
Tea House: Interviews, Commentary, Reviews, Poetry & Prose

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Sculpting Happiness: An Interview with Carver Takuo Hasegawa of Shorin-ji Temple, Spain. Part One

Posted on November 7, 2024November 7, 2024by Teahouse

In this two-part interview, Belén Boville speaks to a unique artist of wood Buddhist sculpture creating wonders in Spain

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  • Announcements

Buddhist Art Preservation Weekend to be held on 19–22 July at New York’s Rubin Museum

Posted on July 9, 2024July 9, 2024by Teahouse

A unique event for women in New York with authoritative preservation organization Treasure Caretaker

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  • Postcard from Raymond

Dunhuang Academy’s deputy head Zhang Xiaogang on the mission of the Institute of Archaeology

Posted on June 20, 2024June 20, 2024by Teahouse

The “Mona Lisa of the East” at the Mogao Grottoes is one of many priceless inspirations for an ambitious, 30-year-long initiative to save the caves

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  • Raymond Lam

“Being and Time” – Ma Liping’s New Yungang Photography Exhibition

Posted on February 8, 2024February 8, 2024by Teahouse

A striking exhibit of Yungang photography is running from 20 January to 29 February at Shenzhen’s Dongguang Tang Art Museum

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  • Rebecca Wong

A Divine Encounter: My Quest for Green Tara

Posted on November 8, 2023November 8, 2023by Teahouse

On her pilgrimage to Ladakh, Rebecca Wong visited the Alchi monastic complex, and investigated a special mural of Green Tara in one of the monasteries

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  • Raymond Lam

“Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE”

Posted on May 30, 2023June 9, 2023by Teahouse

An landmark exhibition at the Metropolitan Museum in New York will tell the story of Buddhist art’s origins

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  • Announcements

Carving the Divine Streaming on Vimeo!

Posted on April 1, 2023April 2, 2023by Teahouse

Watch the documentary on Japanese Buddhist sculptors. “Carving the Divine” releases today on 1 April

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  • Raymond Lam

A Sculptor in the Reign of Prince Shōtoku: A Figure for Cross-Cultural Friendship?

Posted on March 12, 2023March 12, 2023by Teahouse

How the 7th century figure of Kuratsukuri Tori set a cosmopolitan and multicultural example for Buddhist sculptors

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  • Raymond Lam

Techniques of the Masters: How to Carve Japanese Buddhist Statuary

Posted on February 3, 2023February 3, 2023by Teahouse

Exploring the techniques of Japanese Buddhist sculpture

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  • Raymond Lam

Baltic Gold: Amber Intersections of Faith and Beauty

Posted on January 17, 2023January 19, 2023by Teahouse

The Indra and Harry Banga Gallery’s “Amber: Baltic Gold” is a unique exhibit of amber’s journey of 3000+ years across Europe and China

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Recent Posts

  • Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism” in Australia, Part One
  • Introducing the Deity Kalachakra
  • Empowerment
  • “Buddhist Dances, Movement & Mind” Course Launched
  • Prof. Henry Shiu Discusses the New TLKY Centre at Emmanuel College, University of Toronto
  • Writers
    • Raymond Lam
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    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
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Recent Posts

  • Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism” in Australia, Part One
  • Introducing the Deity Kalachakra
  • Empowerment
  • “Buddhist Dances, Movement & Mind” Course Launched
  • Prof. Henry Shiu Discusses the New TLKY Centre at Emmanuel College, University of Toronto
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