Vampires or undead as “sentient beings” deserving of compassion and love raise high-stake philosophical and religious questions
entertainment
Have You Been There Before?
When my mother or grandfather (爷爷/爺爺) needed a break from cooking in the kitchen, my family would eat out at fast food restaurants when I was a child. McDonalds and Subway were popular options, and KFC was a favorite of my grandparents for many years. But there were times when we’d opt for a casual […]
Wry and Kind Piety: Revisiting Donald Scripps in “The History Boys”
Just under a decade ago, I went through a The History Boys phase (both the play and film)—perhaps due to lingering memories of my high school years in an all-boy’s institution and reliving echoes of the camaraderie, bravado, and insecurities that dog such a testosterone-saturated environment. I resonated with one of the characters so much […]
When Nature Devours Civilization
Last night I watched Wind River, director Taylor Sheridan’s intense film about the disappearance and murder of a Native American woman, Natalie Hanson. The ambience is extraordinary, the motives for violence primal. The movie, whose protagonists are a hunter deeply embedded in the Native American community (Jeremy Renner) and a well-meaning but unprepared FBI agent (Elizabeth […]
Pop Culture: The Case for A Greater Buddhist Presence
I never bought the argument that sacred stories, figures, and themes should not be brought to pop culture media like films or novels. Some of our more powerful and compelling pieces of modern fiction (and indeed, fiction from any era) was informed by not just the author’s spiritual identity or values, but by their intentional […]
Identity in “In the Mood for Love” and “2046”
When work on the film 2046 began before 2004, Hong Kong film star Tony Leung lobbied hard for director Wong Kar-wai to let him grow a mustache. This was because his character, Chow Mo-wan, was totally different to how he was in 2046‘s prequel In the Mood for Love: whereas Chow in Mood was a gentlemanly […]
What was Possible, and What is no Longer: A Buddhist Dimension in La Dolce Vita
It’s a classic moment in film, one of quite a few from Federico Fellini’s black and white cinematic masterpiece. The charismatic but emotionally lost gossip columnist Marcello Rubini, played by Marcello Mastroianni, is at the beach, holding his hands up in bemused resignation as he struggles and fails to discern the shouts of a young […]