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Tea House

Tea House: Interviews, Commentary, Reviews, Poetry & Prose
  • Raymond Lam

Jocho: The maestro that started Japanese Buddhist Sculpture

Posted on November 17, 2022November 17, 2022by Teahouse

“Carving the Divine” charts the art of Japanese Buddhist sculpture, which traces its art and aesthetics to a sculpting titan called Jocho

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  • Raymond Lam

Early Buddhism and Mahamudra: An Ecumenical Conversation

Posted on November 16, 2022November 16, 2022by Teahouse

A dialogue on the deepest foundation of reality between two great masters

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  • Raymond Lam

A New Monograph on Female Agency and Insight

Posted on November 14, 2022November 14, 2022by Teahouse

“Laughter, Creativity, and Perseverance: Female Agency in Buddhism and Hinduism” is a groundbreaking work that unpacks how women in Buddhist and Hindu cultures claim spiritual authority

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  • Raymond Lam

Ven. Rong Ling (1924-2022), Luminary of Hong Kong Buddhism, Passes Away at 98

Posted on November 11, 2022November 11, 2022by Teahouse

A tribute to a luminary of Hong Kong Buddhism

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  • Dogo

Two Bells: How Boxing led Me to the Buddha-dharma

Posted on November 10, 2022November 11, 2022by Teahouse

When the spirit of Zen enters the boxer’s ring, and how the thrill of the fight led to the stillness of overcoming ego and suffering

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  • Raymond Lam

The Han Li in 2022: Authentic Ways of Buddhist Business

Posted on November 8, 2022November 9, 2022by Teahouse

Catching up with Cynthia Hui, founder of one of Hong Kong’s prominent Buddhist businesses and procurers of Buddhist paraphernialia

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  • Announcements

The British Council supports marginalised youth to re-skill and re-connect through the arts

Posted on November 4, 2022November 4, 2022by Teahouse

The British Council’s ‘Re-stART’ programme has provided access and opportunities for marginalised young people in Hong Kong to re-skill in arts practice and re-connect to the community through the arts

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  • Raymond Lam

The Yuji Experience: A Singular Voice for Japanese Buddhist Sculpture

Posted on November 1, 2022October 31, 2022by Teahouse

Exploring the heritage, beauty, and intricacy of Japanese Buddhist sculpture with Yujiro Seki

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  • Raymond Lam

From Nepal to Hong Kong: Global Networks of Mudra Zen Dance

Posted on October 31, 2022October 31, 2022by Teahouse

An center in Hong Kong localizes international painting and dance arts, connecting traditions to local practitioners

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  • Raymond Lam

“Our Starry Sky” in Hong Kong’s Kennedy Town highlights talents and visibility of artists living with autism

Posted on October 27, 2022October 27, 2022by Teahouse

Exhibit in Kennedy Town featuring ceramic creations by artists living with intellectual disabilities and on the autism spectrum disorder

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  • “Auspicious Light on the Snowland: Art Exhibition by Zhao Zhijing” in Thimphu for the First Time
  • Qiuci: Retelling the Tale of Kumarajiva through Theatrical Dance
  • Painting Benches
  • Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism in Australia,” Part Three
  • Introducing Zhentong
  • Writers
    • Raymond Lam
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    • Papillon
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Recent Posts

  • “Auspicious Light on the Snowland: Art Exhibition by Zhao Zhijing” in Thimphu for the First Time
  • Qiuci: Retelling the Tale of Kumarajiva through Theatrical Dance
  • Painting Benches
  • Director Małgorzata Ola Dobrowolska Discusses “Chenrezig Institute: The Origin of Tibetan Buddhism in Australia,” Part Three
  • Introducing Zhentong
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