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Tea House
Tea House: Interviews, Commentary, Reviews, Poetry & Prose

kamakura

  • Raymond Lam

A Sculptor in the Reign of Prince Shōtoku: A Figure for Cross-Cultural Friendship?

Posted on March 12, 2023March 12, 2023by Teahouse

How the 7th century figure of Kuratsukuri Tori set a cosmopolitan and multicultural example for Buddhist sculptors

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  • Raymond Lam

Lives of the Busshi: Japanese Sculpture Under the Kamakura

Posted on January 3, 2023January 4, 2023by Teahouse

How master sculptors Unkei and Kaikei propelled the Kei school to new heights with a great project at Todai-ji Temple

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  • Raymond Lam

Of Artisans and Aristos: Butsuzo Flourishing in Japan

Posted on November 22, 2022November 22, 2022by Teahouse

How the fortunes of Buddhist sculpting schools and artistic tastes rose and fell with the noble houses and shogunates of Japan

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  • Writers
    • Raymond Lam
    • Rebecca Wong
    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
  • Subscribe
  • About and Contact

Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Terelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
  • Writers
    • Raymond Lam
    • Rebecca Wong
    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
  • Subscribe
  • About and Contact

Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Terelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
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