Hong Kong artist Sara Tse’s extraordinary solo exhibit is a secular retrospective on impermanence, nostalgia, memory, and re-telling
2046
Identity in “In the Mood for Love” and “2046”
![](https://teahouse.buddhistdoor.net/wp-content/uploads/2017/08/Screenshot-383.png)
When work on the film 2046 began before 2004, Hong Kong film star Tony Leung lobbied hard for director Wong Kar-wai to let him grow a mustache. This was because his character, Chow Mo-wan, was totally different to how he was in 2046‘s prequel In the Mood for Love: whereas Chow in Mood was a gentlemanly […]