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Tea House
Tea House: Interviews, Commentary, Reviews, Poetry & Prose

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  • Raymond Lam

Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange

Posted on October 19, 2026October 21, 2026by Teahouse

Acclaimed Chinese master artist Zhao Zhijing is hosting his first solo exhibit in Bhutan from 26–29 October

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  • Postcard from Raymond

Harbour’s Brushstrokes: Delights of Hong Kong Sights at Sun Museum

Posted on July 4, 2026July 4, 2026by Teahouse

Sun Museum’s biennial exhibition and flagship event will be running in two phases this year, showcasing Hong Kong’s vibrant heritage

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  • Raymond Lam

“Second Nature” at Villepin, Hong Kong: An Artistic Triumvirate’s Commentary on Our Inner Worlds

Posted on February 5, 2026February 6, 2026by Teahouse

A new art exhibit at Villepin, Hong Kong highlights three artists’ exploration of the relationship between interior and exterior being

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  • Raymond Lam

Transcendent Eros: The Mountain Bodies and Ecstasy of Catarina Gushiken

Posted on April 9, 2025April 9, 2025by Teahouse

For this Brazilian artist, fusing principles of transcendence with the erotic feminine brings to life the search for origins and embodied joy

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  • Nachaya Campbell-Allen

Artist Focus: Buddhist Woodblock Prints in the Art of Faith Stone

Posted on March 14, 2025March 26, 2025by Teahouse

Nachaya Campbell-Allen speaks to Faith Stone about her East-West style of bringing Buddhist deities to woodblock printing

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  • Raymond Lam

Curatorial Highlights of the Robert H. N. Ho Family Foundation Galleries at the V&A, London

Posted on March 6, 2025March 6, 2025by Teahouse

Nick Barnard brings us on a vivid journey of Buddhist art in the Robert H. N. Ho Family Foundation Galleries at the V&A Museum

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  • Media

Risk Assessment, Documentation, and Damage Prevention of Buddhist Material Culture – with Treasury Caretaker Training

Posted on November 28, 2024November 28, 2024by Teahouse

Conservator Ann Shaftel and Patricia Smithen were recently in Nepal to give a seminar on paubha conservation, including risk assessing, evaluating, and preserving traditional Nepalese art

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  • Other Writers

Sculpting Happiness: An Interview with Carver Takuo Hasegawa of Shorin-ji Temple, Spain. Part Two

Posted on November 8, 2024November 7, 2024by Teahouse

In this two-part interview, Belén Boville speaks to a unique artist of wood Buddhist sculpture creating wonders in Spain

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  • Other Writers

Sculpting Happiness: An Interview with Carver Takuo Hasegawa of Shorin-ji Temple, Spain. Part One

Posted on November 7, 2024November 7, 2024by Teahouse

In this two-part interview, Belén Boville speaks to a unique artist of wood Buddhist sculpture creating wonders in Spain

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  • Johann Nilsson

Hong Kong’s Buddhist Banksy?

Posted on May 18, 2024May 18, 2024by Teahouse

Who is the graffiti artist tagging all of Hong Kong with a Buddhist-themed tag?

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Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Terelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
  • Writers
    • Raymond Lam
    • Rebecca Wong
    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
  • Subscribe
  • About and Contact

Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Terelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
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