It is no secret that the film industry is going through an accelerated evolution. What should always remain at the core of the debate, however, is quality content. I find it very heartening that Yujiro Seki’s Carving the Divine, one of the most original Buddhist-themed films to have come out in recent years, will be […]
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Film Review: “Tashi and the Monk”

An accidental baby born to a very young woman in the state of Arunachal Pradesh in India—one of the most remote and disadvantaged areas of the Himalayan region—Lobsang Phuntsok was considered to be an “uninvited guest of the universe.” Having started his life as a difficult, unruly boy, Lobsang was sent to a monastery in […]
“A Hidden Life”: A Portrait of Non-Violent Action in an Era of Suffering and Spiritual Silence

Filmmaker Terrence Malick’s most recent release, A Hidden Life, takes place in St. Radegund, a rural Austrian municipality of approximately 500 people. Based on a true story, the film follows Franz Jägerstätter, a farmer who takes peaceful action by refusing to swear allegiance to Hitler and to fight in the German military during the Second […]
Wry and Kind Piety: Revisiting Donald Scripps in “The History Boys”

Just under a decade ago, I went through a The History Boys phase (both the play and film)—perhaps due to lingering memories of my high school years in an all-boy’s institution and reliving echoes of the camaraderie, bravado, and insecurities that dog such a testosterone-saturated environment. I resonated with one of the characters so much […]
Buddhist Media: Jesco Puluj’s Search for Paths Less Travelled

What does it mean to be a follower of the Buddha’s path? The Enlightened One was, after all, the Prime Wanderer, the First Monk. His life, no matter how shadowy from a historical perspective, defines how we see Buddhism and its subsequent presence in human history. In theory, he is not really unique at all, […]
When Nature Devours Civilization

Last night I watched Wind River, director Taylor Sheridan’s intense film about the disappearance and murder of a Native American woman, Natalie Hanson. The ambience is extraordinary, the motives for violence primal. The movie, whose protagonists are a hunter deeply embedded in the Native American community (Jeremy Renner) and a well-meaning but unprepared FBI agent (Elizabeth […]
Refusing to See Reality in “In the Mood for Love”

In the Mood for Love did for Hong Kong what La Dolce Vita did for Rome. Just as the Trevi Fountain was relatively unknown as a tourist spot before Anita Ekberg and Marcello Mastroianni’s iconic embrace, In the Mood for Love is a sensuous, colourful masterpiece that eroticizes cramped living spaces and romanticizes the gritty alleyways […]
The Noble Reporter: Lessons about Right Speech and Media from “Roman Holiday”

Roman Holiday is one of my favourite movies, not only because it’s a moving comedic romance (one of the few romantic comedies I enjoy) but because it touches upon a timeless issue in journalism: what stories are worth reporting? It gets more complex than simply bad or boring stories versus good and entertaining ones. It’s […]
Pop Culture: The Case for A Greater Buddhist Presence

I never bought the argument that sacred stories, figures, and themes should not be brought to pop culture media like films or novels. Some of our more powerful and compelling pieces of modern fiction (and indeed, fiction from any era) was informed by not just the author’s spiritual identity or values, but by their intentional […]
Shaolin (2011): A Guilty Pleasure

I have mixed feelings about films that have an overtly religious element, especially when the religion plays a central role in a movie focused on bone-crunching action, head-crushing martial arts, and temple explosions. I class Shaolin, which is an overwhelmingly positive portrayal of the martial art masters in Republican-era China, as one such guilty indulgence. […]