Hong Kong artist Sara Tse’s extraordinary solo exhibit is a secular retrospective on impermanence, nostalgia, memory, and re-telling
in the mood for love
Refusing to See Reality in “In the Mood for Love”
In the Mood for Love did for Hong Kong what La Dolce Vita did for Rome. Just as the Trevi Fountain was relatively unknown as a tourist spot before Anita Ekberg and Marcello Mastroianni’s iconic embrace, In the Mood for Love is a sensuous, colourful masterpiece that eroticizes cramped living spaces and romanticizes the gritty alleyways […]
Identity in “In the Mood for Love” and “2046”
When work on the film 2046 began before 2004, Hong Kong film star Tony Leung lobbied hard for director Wong Kar-wai to let him grow a mustache. This was because his character, Chow Mo-wan, was totally different to how he was in 2046‘s prequel In the Mood for Love: whereas Chow in Mood was a gentlemanly […]