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Raymond Lam

  • Raymond Lam

Painting and Patriotism: A Celebration of Chinese Calligraphy and Chan for Hong Kong’s 25th Handover Anniversary

Posted on December 10, 2022December 11, 2022by Teahouse

A Buddhist calligraphic and art exhibition to celebrate the 25th anniversary of Britain’s handover of Hong Kong to China

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  • Raymond Lam

Bringing Compassion to Those That Need It Most: A Domestic Violence Worker Brings Buddhist Ideas to Survivors of Family and Sexual Violence

Posted on December 9, 2022December 17, 2022by Teahouse

Australia-based DV worker Lynda Rushton shares how Buddhism brings a unique dimension to working with women living with domestic and partner abuse

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  • Raymond Lam

A Meditative Smile in a Dark Place: Learning the Dharma in a Bolivian Prison

Posted on December 7, 2022December 7, 2022by Teahouse

Liliana Arias Romero’s BDE article on teaching meditation inside a Bolivian women’s prison

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  • Raymond Lam

The Art of Living Amidst Long-term Illness: The Creativity of Writer and Artist Helen Law

Posted on December 1, 2022December 1, 2022by Teahouse

Hong Kong-based artist and columnist Helen Law expresses creativity as a way of life during and after chronic illness

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  • Raymond Lam

Elder Rong Ling’s final farewell

Posted on November 25, 2022November 25, 2022by Teahouse

Reflecting on today’s funeral for a great Hong Kong Buddhist master

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  • Raymond Lam

Of Artisans and Aristos: Butsuzo Flourishing in Japan

Posted on November 22, 2022November 22, 2022by Teahouse

How the fortunes of Buddhist sculpting schools and artistic tastes rose and fell with the noble houses and shogunates of Japan

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  • Raymond Lam

Buddhist Priorities in a World Scarred by COVID

Posted on November 19, 2022November 19, 2022by Teahouse

From the 11th International Conference on Asian Studies (ACAS ICAS 11) on 17-18 November 2022, Ateneo Center for Asian Studies (ACAS)

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  • Raymond Lam

Jocho: The maestro that started Japanese Buddhist Sculpture

Posted on November 17, 2022November 17, 2022by Teahouse

“Carving the Divine” charts the art of Japanese Buddhist sculpture, which traces its art and aesthetics to a sculpting titan called Jocho

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  • Raymond Lam

Early Buddhism and Mahamudra: An Ecumenical Conversation

Posted on November 16, 2022November 16, 2022by Teahouse

A dialogue on the deepest foundation of reality between two great masters

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  • Raymond Lam

A New Monograph on Female Agency and Insight

Posted on November 14, 2022November 14, 2022by Teahouse

“Laughter, Creativity, and Perseverance: Female Agency in Buddhism and Hinduism” is a groundbreaking work that unpacks how women in Buddhist and Hindu cultures claim spiritual authority

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  • Writers
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Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Tirelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
  • Writers
    • Raymond Lam
    • Rebecca Wong
    • Sensei Alex Kakuyo
    • Papillon
    • Hispanophone Buddhism
  • Mr. Robert H. N. Ho
  • Dro Forum: Jonang Lineage Q&A
  • Subscribe
  • About and Contact

Recent Posts

  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Giacomo Tirelli
  • The Tung Lin Kok Yuen Postgraduate Scholarships in Buddhist Studies: Two Recipients Discuss Their Path—Ekaterina Norton
  • Zhao Zhijing’s “Auspicious Light on the Snowland” Marks First Bhutan-Hong Kong Artistic Exchange
  • Closing Curtain at Kailash: The Mountain Pulls Its Velvet Rope
  • Reviving a Sacred Landscape: The Growing Vision for the Guru Padmasambhava Ceremony at Udayagiri
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